Gary Farrelly—Quasi-Autonomous Stitch

Gary Farrelly’s first solo exhibition in Ireland in fifteen years, Quasi-Autonomous Stitch, takes its name from a sewing procedure devised as a method of overwriting and absorbing images and surfaces. The works here are restless, shifting between seams, carbon traces, labels, blueprints, photographs, and logbooks. At stake are languages of construction, obsolescence, staging, and transmission—creased, overwritten, redacted, repaired, forced into proximity.