The band has played a thousand-some-odd shows in the past half-decade—across the States and Europe, as well as behind venues, after-hours, aside dumpsters till all requests have been met—but it is possible that this will be your first introduction.
Poised to release their third full-length record on January 29th, 2013 (US, Jan 28th ’13 EU), Frontier Ruckus’ Eternity of Dimming—is a 20-song double-album, roughly an hour-and-a-half in duration and over 5,500 words in lyrical length. A helluva time to enter their world, but you’re invited even if you’ve not previously wrapped yourself in the continents of The Orion Songbook (2008) or Deadmalls and Nightfalls (2010). Welcome to the expansive language of songwriter Matthew Milia. Welcome to a raw and unharnessed musicality. Welcome to the snowy television sets and plastic teenage trophies of suburban Detroit.
Eternity of Dimming, the closing chapter of their suburban memory landscape series, is the embodiment of real things, real objects—a realness full of sad gladness and expiration dates. A catalogue so thorough in its literary scope of brutally tender pathos—a candid opening-up of a bottomless domestic junk-drawer, without omission or censor.